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Wedgwood Museum Original Bronze Sculpture: Garden Lying Girl by Jonathan Sanders

Wedgwood Museum Original Bronze Sculpture: Garden Lying Girl by Jonathan Sanders

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Size in cm: 102 Long x 36 Wide x 32 High cm
Size in inches: 3' 4" Long x 1' 2" Wide x 1' ½" High
Weight: 36.5kg / 80lb 8oz

Edition: 21
Material: Foundry Cast Bronze

This is the garden sized version of Jonathan Sanders's very popular Wedgwood Museum Lying Girl sculpture. Measuring 1.02 metres long, it makes a stunning addition to any garden, large or small.

Following the sell out success of 'Lying Girl' and the very popular 'Large Lying Girl', Jonathan was asked by a collector if he could please sculpt this piece large enough to display in a garden.

'Garden Lying Girl' was the result and now that the Wedgwood Museum have approved her, we are thrilled to introduce her to you.

This piece is being cast in an edition of just 21 castings worldwide.

Please note that she comes equipped with three standard fixings underneath in order to fix her to a plinth or other mounting, but bespoke mounting and fixing points can be fitted according to your requirements. She is finished with a protective hard wax that makes her suitable for display both outside and inside.

Garden Lying Girl comes with a certificate signed and numbered by the artist and delivery can be arranged worldwide.

Delivery is free of charge, worldwide.

Jonathan Sanders was invited by The Wedgwood Museum to create a range of contemporary bronze sculpture, inspired by its collections.

The Wedgwood Museum Collection is a unique record of the history of the Wedgwood company and of high quality English manufacturing. It includes a large range of manuscripts, correspondence, factory equipment, trials and original models as well as fine art by the likes of George Stubbs and Joshua Reynolds and, of course, ceramics. The basis of the collection can be traced back to the founder, Josiah Wedgwood I, who, conscious of the experimental nature of the work he was undertaking, kept his trials and experiments for posterity.

When Jonathan Sanders visited the museum, he says that he was ‘Utterly bowled over by the quality and beauty of so much of the collection, which represents the best in English design and production over the past 250 years’.

He was particularly entranced by the Domestic Employment series of Jasperware, depicting young children going about their day to day life, typically engaged in ‘domestic employment’. The depictions are a beautiful and some might say a slightly romantic view of how ordinary children experienced life in the 1780s, from the point of view of the aristocrat, Lady Elizabeth Templetown.

“I couldn’t help but compare those scenes with the lives of my own children”, he says, “and was inspired to sculpt a collection of pieces of them going about their every day life today.”

The resulting pieces are a depiction, by a contemporary artist, of the domestic life of today’s English child and Nelson & Forbes are proud to have the opportunity to produce them by hand in England, just as Wedgwood have done for many generations.

This bronze casting is a perfect recreation of Jonathan Sanders's original sculpture and took four weeks to create. It bears the artist\'s signature and its own unique edition number. As every piece is cast by hand, each one is an original and so will be very slightly different to the last.

His range of small and large Wedgwood Museum sculptures have proved very popular with collectors and 'Garden Lying Girl' is the first in the collection to be created in a garden size. If you would like to discuss the creation of any other of our sculptures in a size suitable for the garden, please call us and we will be happy to discuss this with you.

‘The Wedgwood Museum’ is a trade mark belonging to the Wedgwood Museum Trust Limited.

Jonathan Sanders Biography Photo Jonathan Sanders was born in 1959, and completed a degree in Fine Art at North Staffordshire University in the early 1970's.

While Jonathan was training, his talent for sculpting was immediately spotted, but he chose at that time to follow a career as a painter and his work quickly became sought after by collectors.

His work is so highly regarded that he undertook several notable commissions at that time including the cover for the South African band Ladysmith Black Mambazo’s album ‘In Harmony’ and a personal portrait of Nelson Mandela.

His original paintings are sought after and held in collections worldwide and his prints reach a wide audience both as limited editions in galleries and open editions sold in Next and Ikea.

As he painted, inspired by the landscape, wildlife, people around him and native African art, he gradually found that these same influences were also inspiring him to revisit his passion for sculpting.

Jonathan began to experiment with clay and wax, gradually developing a unique way of capturing the mood and weight of the animals he spent so long studying in East Africa.

"I find working in the three dimensional form truly fascinating," he says. "The pose has to have an element of drama. Then comes the anatomy of the subject which has to be accurate, but not to the point of compromising the movement and presence of the piece."

Jonathan initially cast several of his wildlife sculptures in bronze resin, but when asked what it means to see his work cast in solid bronze, he explains:

"The Bronze reveals all the manipulation of the original material. Its patina has a depth of colour that absorbs and reflects light. Pick the piece up and it feels heavy in the hand. A tactile, permanent piece of work that truly reveals the qualities of the artist’s hand."

His first limited edition bronze sculptures sold out swiftly and he is currently working on new pieces in his studio in Bath, where he lives with his wife and children.

Jonathan says, "Working in three dimensions has challenged me to look at my paintings differently and experiment with new techniques."

Creation of your bronze sculpture

Every time we cast a piece, a new mould is created and subsequently destroyed. This means that every single piece of sculpture bought from us is entirely hand made and utterly unique, which is why it is numbered by hand to tell you which casting of the edition you have bought.

1. Mould Making

A silicone rubber mould is made of the original art work. Absolutely every detail captured or missed by this mould will be reproduced in the bronze castings. Depending on the size of the mould, it may then be cut into sections for casting.

This is the master mould used to originate all castings of that piece. Each time that piece is ordered, we follow the following procedure:

2. Making the Wax Casting

Molten wax is poured into the rubber to create an exact wax duplicate of the original model.

3. Chasing the Wax

The wax is removed from the rubber mould any flaws are hand finished by a skilled craftsman.

4. Spruing

Wax rods and a wax pouring cup are carefully attached to the wax casting in just the right positions to allow bronze to be poured in any displaced air to escape. This means that no air bubbles are trapped inside the mould as they would be gaps in the finished bronze piece.

5. Investment

The wax model with attached rods is now covered in ceramic material which will form the mould for the final bronze pour. This is done by dipping the wax model carefully into investment liquid and then covering it in a fine powder before allowing it to cure (completely dry). The model is then dipped into investment liquid again and given a coating of a coarse ceramic powder. By following this procedure several times, a ceramic shell is built up around the wax model.

6. Burn-Out

The wax inside the ceramic shell is then placed in a kiln and fired. The shell bakes and the wax is melted (lost) from the shell. This creates a hollow ceramic shell mould and accounts for the term "Lost Wax" being applied to the process.

7. Casting

The ceramic mould is removed from the kiln and molten bronze is immediately poured into it, at 1200°C.

8. Break Out

Once the casting has been allowed to cool for several hours, the mould is carefully removed by hand from the bronze model inside.

9. Sandblasting

Any fragments of the ceramic shell are removed by sandblasting and the sculpture is carefully inspected at this point.

10. Assembly

All attached rods and cups (which are now bronze) are removed by hand. At this point, any segments of a large sculpture that has been cast in sections are welded together.

11.Chasing

All the weld marks and removed and rod marks are chased and re-detailed by hand. Any scars left by the rods are carefully blended to match the rest of the sculpture’s surface as intended by the artist.

12. Polishing

The bronze is hand polished in preparation for the patina.

13. Patination

The bronze is first heated before the chemical patina is applied by an artist. A patina can achieve many different colours or effects depending on the mix of chemicals used.

14. Waxing

Finally a wax coating is hand applied before the piece is polished to ensure a beautiful lustrous patina.

15. Numbering

Finally, the piece is numbered by hand. It is numbered as the casting number, followed by a slash and finally the edition size. For examples, 5/250 means that your piece was the fifth piece to be cast from the master mould out of 250 castings made. The piece also bears the signature of the artist. Jonathan Sanders pieces are all marked with a JS or JRS.

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All in stock items are dispatched the working day after we receive your order. Out of stock items will be dispatched on the date shown on the listing.

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UK deliveries are shipped by DPD Local, who will send a one hour window to your mobile or email on the morning of delivery so you don’t have to wait around for your parcel.

We use a next working day service as standard (NI, Highlands and Islands take two working days). If you choose and pay for a Saturday or Sunday delivery when you check out (and order before 6am on a Friday), your order will arrive with you the first Saturday or Sunday after you place your order. If you order after 6am on Friday, your order will arrive one weekend later.

If you are in a rush, or need any special arrangements, please call us on 01442 256290 and we will be delighted to help.

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We use an express service that will be delivered on a weekday. Deliveries to Europe, the USA and Canada typically take 2 -3 working days, with other destinations taking 3 – 5 working days.

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Reviews

Customer Reviews 7 item(s)

She is exquisite

Overall Satisfaction

Our beautiful girl has arrived safe and sound. She is exquisite, my best birthday present ever.
We have named her Izzy, in memory of my youngest sister. Thank you so very much.

Review by Ms. M.G. (Australia) / (Posted on 14/12/2022)

I am absolutely delighted with her

Overall Satisfaction

I just wanted to let you know that my Garden Lying Girl has arrived safe and sound. I am absolutely delighted with her and I am sure she will give me and my family a huge amount of pleasure in years to come. I have complete trust in your company and it so refreshing to find one that is so caring. I would definitely recommend you to anyone who was looking to purchase from you. Many thanks and I have called her Gabriella! Review by Mrs. L.H. / (Posted on 08/07/2021)

We are very pleased

Overall Satisfaction

Thanks, statue received and we are very pleased with it. Review by Mr. J.W. / (Posted on 11/01/2021)

A joy to look at

Overall Satisfaction

It’s a few months on now and the Garden Lying Girl has been a joy to look at and enjoy the company of every single day. We are absolutely delighted with her. She hasn’t left our sitting room yet! Thank you again. Review by Mr. M.C. / (Posted on 07/07/2019)

Garden Lying Girl

Overall Satisfaction

Photo attached.

Review by Mr. J.P., (South Africa) / (Posted on 07/02/2019)

She is just gorgeous

Overall Satisfaction

Hello Deborah, this is just to let you know that 'Reading Girl' - my preferred name for her - has arrived safely. She is just gorgeous and I am pleased indeed that she is here. Please let Mr Sanders know how delighted I am with his work.
My thanks to you for the perfect packaging and for being so professional in your dealings.
Take care, I rather think that you will hear from me again.

Review by Mr. R.E. (Australia) / (Posted on 09/11/2018)

Really beautiful piece of art

Overall Satisfaction

Hi Debbie,
Received her today. Love it. Really beautiful piece of art.
Like to mention the delivery and in particularly the packing is very very professional. Bought many items shipped from overseas.
Never have I seen the quality of packing this highly and professionally done with a such care to ensure the item arrives in good order. The wooden box design and inner foam lining .... very impressive.
Best of all .... it is free ... yet so much attention and consideration is given to the packaging and delivery.
I am sure one happy customer.
Many thanks.