This delicate study of a young girl caught in a moment of deep thought is one of three delightful new sculptures of dancers created by Jonathan Sanders in collaboration with the Wedgwood Museum.
Following the original idea for the collection, Jonathan was keen to create studies of girls that, whilst possessing the elegance and poise of ballet dancers, would accurately reflect the lives and experiences of girls from all walks of life.
Jonathan’s original ‘Sitting Girl’ sculpture proved very successful, with collectors requesting that he create the same pose in a larger size. ‘Large Resting Dancer’ is the result. Whether displayed on her own, or together with Large Daydreaming Dancer and Large Dancer Tying Hair, she makes an elegant addition to any situation.
Large Resting Dancer is hand cast in our British foundry as a strictly limited edition of just 250 solid bronze castings worldwide. Once all 250 castings have been taken, no further castings will ever be made.
We use the traditional lost wax method of casting bronze to create all of our sculptures. Every piece takes several weeks to individually cast and requires the creation of a new mould which is subsequently destroyed. Please note that this is NOT made from resin/cold cast bronze.
Every casting of Large Resting Dancer is individually engraved with its own unique edition number and bears Jonathan Sanders’s signature as well as our ‘NF’ maker’s mark. It is beautifully presented in a handmade presentation gift box, accompanied by a numbered and individually signed certificate of authenticity, all ready to be given as a wonderful gift.
Jonathan Sanders was invited by The Wedgwood Museum to create a range of contemporary bronze sculpture, inspired by its collections.
The Wedgwood Museum Collection is a unique record of the history of the Wedgwood company and of high quality English manufacturing. It includes a large range of manuscripts, correspondence, factory equipment, trials and original models as well as fine art by the likes of George Stubbs and Joshua Reynolds and, of course, ceramics. The basis of the collection can be traced back to the founder, Josiah Wedgwood I, who, conscious of the experimental nature of the work he was undertaking, kept his trials and experiments for posterity.
When Jonathan Sanders visited the museum, he says that he was ‘Utterly bowled over by the quality and beauty of so much of the collection, which represents the best in English design and production over the past 250 years’.
He was particularly entranced by the Domestic Employment series of Jasperware, depicting young children going about their day to day life, typically engaged in ‘domestic employment’. The depictions are a beautiful and some might say a slightly romantic view of how ordinary children experienced life in the 1780s, from the point of view of the aristocrat, Lady Elizabeth Templetown.
“I couldn’t help but compare those scenes with the lives of my own children”, he says, “and was inspired to sculpt a collection of pieces of them going about their every day life today.”
The resulting pieces are a depiction, by a contemporary artist, of the domestic life of today’s English child and Nelson & Forbes are proud to have the opportunity to produce them by hand in England, just as Wedgwood have done for many generations.
‘The Wedgwood Museum’ is a trade mark belonging to the Wedgwood Museum Trust Limited.